Käthe kollwitz art style

Käthe kollwitz self-portrait
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Käthe kollwitz death

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Biography of Kathe Kollwitz, German Printmaker

Kathe Kollwitz (1867-1945) was a German artist who specialized in printmaking. Her ability to depict the powerful emotional impact of poverty, hunger, and war made her one of the most celebrated artists of the first half of the twentieth century. She broke ground for women and honored the experiences of the working class in her art.

Fast Facts: Kathe Kollwitz

Full Name: Kathe Schmidt Kollwitz
Known For: Printmaking, painting, and etching
Styles: Realism and expressionism
Born: July 8, 1867 in Konigsberg, Prussia
Parents: Karl and Katherina Schmidt
Died: April 22, 1945 in Moritzburg, Germany
Spouse: Karl Kollwitz
Children: Hans and Peter
Education: Women's Art School of Munich
Selected Works: "The Weavers" (1898), "The Peasant War" (1908), "The Grieving Parents" (1932)
Notable Quote: "No longer diverted by other emotions, I work the way a cow grazes."

Early Life and Education

Born in Konigsberg, Prussia, now part of Russia, Kathe Kollwitz was the fifth

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Käthe Kollwitz

German artist (1867–1945)

Käthe Kollwitz (German pronunciation:[kɛːtəkɔlvɪt͡s] born as Schmidt; 8 July 1867 – 22 April 1945)^[3] was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger and war on the working class.^[4]^[5] Despite the realism of her early works, her art is now more closely associated with Expressionism.^[6] Kollwitz was the first woman not only to be elected to the PrussianAcademy of Arts but also to receive honorary professor status.^[7]

Life and work

Youth

Kollwitz was born in Königsberg, Prussia, as the fifth child in her family. Her father, Karl Schmidt, was a Social Democrat who became a mason and house builder. Her mother, Katherina Schmidt, was the daughter of Julius Rupp,^[8] a Lutheran pastor who was expelled from the official Evangelical State Church and founded an

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Käthe Kollwitz

1867 to 1945

Raised in a politically progressive middle-class family, Kollwitz enjoyed family support for her artistic ambitions. When she became engaged to a medical student in 1889, her father even sent her to study in Munich to persuade her to choose art over marriage. Following graduation, she returned to Berlin to marry her fiancé Karl Kollwitz in 1891.

Though Kollwitz studied both painting and printmaking, she turned exclusively to the print in the early 1890s. Influenced by fellow German artist Max Klinger, she saw the potential of the print for social commentary. Prints could be reproduced inexpensively and in multiples, allowing her to reach more people.

For the next 50 years she produced dramatic, emotion-filled etchings, woodcuts, and lithographs—generally in black and white but sometimes including touches of color. Initially, her husband’s working-class patients proved worthy models and subjects. Beginning in the teens, Kollwit