Antonio renaissance singer
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Antonio da Correggio (actually Antonio Allegri; ital. Correggio; Antonio Allegri) — Italian painter of the High Renaissance period.
He worked in Parma and Correggio (from which it got its nickname), enjoyed the patronage of the Countess of the city of poetess Veronica Gambara who recommended him to the Duke of Mantua.
Was influenced by Andrea Mantegna, Leonardo da Vinci, Raphael, Michelangelo, Dosso Dossi.
Correggio, indeed by Antonio Allegri (Allegri), called Correggio for his birthplace (Modena region) — a famous Italian painter (1494-1534). Original art education was under the guidance of his uncle, L. Allegri, and Bartolotti, and later used the lessons Ferrarese painter FR. Bianchi, how about misleading the extant is very little information on his youth. It is highly likely that in 1510, after the death of Bianchi, he visited Mantua, where he studied the works of Mantegna, and that it also had the influence of Lorenzo Lotto. With certainty we know that in 1514 he was again in Correggio, where the following year he graduated from execution for the local Minorite monastery
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Antonio da Correggio
Italian Renaissance painter (1489–1534)
"Correggio" redirects here. For other uses, see Correggio (disambiguation).
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also, ,[1][2][3]Italian:[korˈreddʒo]) was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro.
Early life
Antonio Allegri was born in Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant.[4] Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his fathe
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Antonio Allegri
Said to be one of the boldest, revolutionary artists of Italy’s High Renaissance, Correggio’s work can be at times intensely religious and at others, sensual. Born in the small town of Correggio, in Italy’s Emilia-Romanga region, the artist was named Il Correggio after his birthplace. With little known about his training, his noted influences come from Lorenzo Costa (1460-1535) who influenced the Bolognese School of painting and Francesco Francia (1450 – 1517), also of Bologna.
Perhaps his most recognized influence was that of Italian artist, Andrea Mantegna (1431 – 1506), whose work in spatial illusionism greatly influenced Correggio’s ceiling frescos in Parma, Italy. Between 1506 and 1510 he stayed mostly in the town of Correggio, after some time spent in Mantua. One piece that is documented during this time is the Adoration of the Child with St. Elizabeth and John. Even here an early influence of Mantegna and also Costa can be seen in Correggio’s work. He again returned to Mantua where he completed 3 circular pieces (Tondos) for the church of Sant’Andrea in
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