Marina comparato biography
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Marina Comparato, mezzo
Born in Perugia. Graduated in Political Science. She studied with Renata Ongaro in Florence and took her singing diploma with full marks cum laude in 1996. She made her debut in 1996 as Rosina in Il barbiere di Siviglia, in London, and in R. Strauss’ Elektra, at the Maggio Musicale Fiorentino.
In 1996 she won the 1st prize at the “V. Bucchi” Competition of Rome, on 20th century music. In 1997 she won the 1st price at the Spoleto Competition, where she debuted as Sesto in La Clemenza di Tito and Siebel in Faust.
Since 1998 she has been invited in any italian and foreign theatres such as: Maggio Musicale Fiorentino, Rossini Opera Festival, Opera of Rome, Teatro Regio of Turin, La Fenice of Venice, Carlo Felice of Genova, Teatro Massimo of Palermo, San Carlo of Naples, La Scala of Milan, Opéra National de Paris, Opera de Montpellier, Theatre du Chatelet, La Monnaie in Bruxelles, Opera Royal de Wallonie, De Wlaamse Opera of Antwerp , De Nederlandse Opera of Amsterdam, Frankfurt Opera, Teatro Real of Madrid, Glyndebourne Festival, Salzburg Festival.
She has
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Marina
Born inPerugia. Marina graduated in Political Science in Florence, and in singing at Florence Conservatory.
Marina’s season 2023/24 highlights are Suzuki (Madama Butterfly) in Teatro San Carlo in Napoli, Rosina (Il Barbiere di Siviglia) at the Teatro La Fenice and La Gran Vestale (La Vestale) in Thessaloniki.
During her career Marina performed in major Italian and European theaters such as in Florence, Naples, Venice, Genoa, Bologna, Rome, Torino, Palermo, Madrid, Seville,Valencia, Amsterdam, Antwerp, Leipzig, Opéra de Paris, Teatro Colon in BuenosAires, Salzburg Festival and Glyndebourne Festival. She began her career singing major Mozart’s and Rossini’s operas such as: Nozze di Figaro, Cosi fan tutte, Don Giovanni, La Clemenza di Tito, La finta Semplice,Lucio Silla, Barbier of Seville, Cenerentola, Le Compte Ory, Zelmira. At the same time she had important awards as interpret in baroque roles as those of Haendel, Vivaldi and Monteverdi. In subsequent years she approached late romantic and early ‘900 roles such as Oberon, L’enfant et les Sortilèges, L’heure es
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