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Stacy Keach

For his father, see Stacy Keach Sr.

American actor (born 1941)

Walter Stacy Keach Jr. (born June 2, 1941) is an American actor, active in theatre, film and television since the 1960s. Keach first distinguished himself in Off-Broadway productions and remains a prominent figure in American theatre across his career, particularly as a noted Shakespearean.[1][2][3] He is the recipient of several theatrical accolades: four Drama Desk Awards, two Helen Hayes Awards and two Obie Awards for Distinguished Performance by an Actor. He was nominated for a Tony Award for Best Actor in a Play for his performance in Arthur Kopit's 1969 production of Indians.[3]

In film, he garnered critical acclaim for his portrayal of a washed-up boxer in the John Huston film Fat City (1972) and appeared as Sergeant Stedenko in Cheech & Chong's films Up in Smoke (1978) and Nice Dreams (1981).[4] His other notable film credits include Brewster McCloud (1970), Doc (1971), The Life and Times of Judge Roy Bean (1972), Luther (

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Stacy Keach Biography

Date of Birth:
Jun 2, 1941Birth Place:
Savannah, Georgia, USA

Biography

Cited frequently as one of American's finest stage actors, Stacy Keach is widely recognized as a multi-award winner for his commanding performances in productions ranging from Shakespeare to modern classics like "MacBird," "Indians" and "The Kentucky Cycle," netting him widespread acclaim as well as multiple Obies and Drama Desk Awards. Keach's career in front of the camera yielded mixed results, however, though he was praised for early films like "Doc" (1970) and John Huston's "Fat City" (1972). Having never received the same degree of praise as contemporaries like Dustin Hoffman and Jack Nicholson, he still found rewards in dividing his time between quality projects like "The Long Riders" (1980) - which he produced with brother James - and "W" (2008) with low-budget efforts like "Mountain of the Cannibal God" (1978) and "Class of 1999" (1990). Television was always his most successful medium outside of the stage, where he made his mark as the two-fisted private eye on "Mick
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Benjamin Keach: The Ministry of an Average Pastor

Benjamin Keach is best known for introducing the regular singing of hymns in the normal worship of the church. But while this was a significant conviction and controversy in his life, it by no means defines his contribution to the cause of Jesus Christ in his generation. Keach was converted to Christ at age 15 through the preaching of Matthew Mead and began preaching himself at 18 years of age among the General Baptists before becoming a convinced Particular Baptist when he was about 28 years of age. Austin Walker in his wonderful biography of Benjamin Keach puts his life in perspective by saying,

Benjamin Keach was a second-generation Particular Baptist who, in the providence of God, lived for fifteen years after the Act of Toleration. He was an heir of the Separatist tradition and a man who vigorously maintained his views on baptism and the nature of the church after he and his fellow Dissenters had emerged from the furnace of persecution in 1689. It would be very easy to dismiss Keach as being a man who was argumentative, con

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