Clowness meaning
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Seated Clowness (La Clownesse assise)
Henri de Toulouse-Lautrec
European Art
PORTFOLIO/SERIESElles
ARTISTHenri de Toulouse-Lautrec, Albi, France, 1864–1901, Saint–André–du–Bois, France
MEDIUM Lithograph on wove paper
DATES 1896
SIGNATURE Signed, "G. Pellet" and "T. Lautrec"
INSCRIPTIONS Dealer's stamp, "G.P." in recto, lower right corner
COLLECTIONSEuropean Art
ACCESSION NUMBER 53.8.7
CREDIT LINE Gift of Millicent Huttleston Rogers
MUSEUM LOCATION This item is not on view
CAPTION Henri de Toulouse-Lautrec (Albi, France, 1864–1901, Saint–André–du–Bois, France). Seated Clowness (La Clownesse assise), 1896. Lithograph on wove paper, 20 3/4 x 15 3/4 in. (52.7 x 40 cm). Brooklyn Museum, Gift of Millicent Huttleston Rogers, 53.8.7 (Photo: Brooklyn Museum, 53.8.7_transpc002.jpg)
EDITION Edition: 53/100
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital p
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Elles: The Clownesse
About this artwork
Status
- Currently Off View
Department
- Prints and Drawings
Artist
- Henri de Toulouse-Lautrec
Title
- Elles: The Clownesse
Place
- France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
- 1897
Medium
- Color lithograph on ivory wove paper
Dimensions
- Image: 41 × 32 cm (16 3/16 × 12 5/8 in.); Sheet: 41.1 × 32.3 cm (16 3/16 × 12 3/4 in.)
Credit Line
- Mr. and Mrs. Carter H. Harrison Collection
Reference Number
- 1949.938
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Learn more.- https://api.artic.edu/api/v1/artworks/67040/manifest.json
Extended information •
Cha-U-Kao
French entertainer
Cha-U-Kao
Cha-U-Kao by Maurice Guibert (1890)
Nationality French Other names The Clowness Occupation(s) dancer, acrobat, clown
Cha-U-Kao was a French entertainer who performed at the Moulin Rouge and the Nouveau Cirque in the 1890s. Her stage name was also the name of a boisterous popular dance, similar to the can-can, which came from the French words "chahut", meaning "noise" and "chaos".[1][2] She was depicted in a series of paintings by Henri de Toulouse-Lautrec. Cha-U-Kao soon became one of his favorite models. The artist was fascinated by this woman who dared to choose the classic male profession of clowning and was not afraid to openly declare that she was a lesbian.
Little is known about her life, including her real name, though she was a gymnast before she worked as a Parisian female clown or "clownesse." During her time as a gymnast, Maurice Guilbert photographed her, capturing her younger self that contrasted with Toulouse-Lautrec's later depictions.[3][4] Her clow
Cha-U-Kao
French entertainer
Cha-U-Kao | |
---|---|
Cha-U-Kao by Maurice Guibert (1890) | |
Nationality | French |
Other names | The Clowness |
Occupation(s) | dancer, acrobat, clown |
Cha-U-Kao was a French entertainer who performed at the Moulin Rouge and the Nouveau Cirque in the 1890s. Her stage name was also the name of a boisterous popular dance, similar to the can-can, which came from the French words "chahut", meaning "noise" and "chaos".[1][2] She was depicted in a series of paintings by Henri de Toulouse-Lautrec. Cha-U-Kao soon became one of his favorite models. The artist was fascinated by this woman who dared to choose the classic male profession of clowning and was not afraid to openly declare that she was a lesbian.
Little is known about her life, including her real name, though she was a gymnast before she worked as a Parisian female clown or "clownesse." During her time as a gymnast, Maurice Guilbert photographed her, capturing her younger self that contrasted with Toulouse-Lautrec's later depictions.[3][4] Her clow
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