Winslow homer art style
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Winslow Homer
American landscape painter (1836–1910)
Winslow Homer | |
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Homer in 1880 | |
Born | (1836-02-24)February 24, 1836 Boston, Massachusetts, U.S. |
Died | (1910-09-29)September 29, 1910 (aged 74) Prouts Neck, Maine, U.S. |
Education | Lithographyapprenticeship, 1855–56 National Academy of Design (painting), 1863 Paris (informal), 1867 |
Known for | Drawing Wood engraving Oil painting Watercolor painting |
Notable work | Harper's Weekly Magazine Ballou's Pictorial Magazine Snap the Whip The Veteran in a New Field Breezing Up (A Fair Wind) |
Movement | Realism, American Realism |
Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters of 19th-century America and a preeminent figure in American art in general.
Largely self-taught, Homer began his career working as a commercial illustrator.[1] He subsequently took up oil painting and produced major studio works characterized by the weight and densi
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Summary of Winslow Homer
One can imagine Winslow Homer walking the Maine shoreline captivated by the sublime power of the natural world and seeking to translate that experience onto his canvases through the bravura of his gestural brushwork. In these paintings, nature's power is both sublime and eternal, and coolly indifferent to the drama of the human condition.
The raw style of these later years was not an anomaly, but rather the distinguishing characteristic of Homer's overall career. He regularly approached subjects overlooked by professional artists of his time - rural schoolchildren, hunting scenes, or the lives of recently emancipated African-Americans - with a passion to tell a story. The uncompromising Realism of his style charted a new course for American Art, distinct from the stage-like settings of his European counterparts, while also dispensing with the idealized of the landscape or slick portraits of the upper classes which had previously dominated American painting. Instead, Homer documented the lives of average Americans in a straightforward and seemingly spon
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Winslow Homer (1836–1910) is regarded by many as the greatest American painter of the nineteenth century. Born in Boston and raised in rural Cambridge, he began his career as a commercial printmaker, first in Boston and then in New York, where he settled in 1859. He briefly studied oil painting in the spring of 1861. In October of the same year, he was sent to the front in Virginia as an artist-correspondent for the new illustrated journal Harper’s Weekly. Homer’s earliest Civil War paintings, dating from about 1863, are anecdotal, like his prints. As the war drew to a close, however, such canvases as The Veteran in a New Field () and Prisoners from the Front () reflect a more profound understanding of the war’s impact and meaning.
For Homer, the late 1860s and the 1870s were a time of artistic experimentation and prolific and varied output. He resided in New York City, making his living chiefly by designing magazine illustrations and building his reputation as a painter, but he found his subjects in the increasingly popular seaside resorts in Massachusetts and New Jersey
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